{"id":841,"date":"2022-11-15T15:56:40","date_gmt":"2022-11-15T14:56:40","guid":{"rendered":"https:\/\/www.pawelkapula.com\/?page_id=841"},"modified":"2023-01-11T17:29:52","modified_gmt":"2023-01-11T16:29:52","slug":"press","status":"publish","type":"page","link":"https:\/\/www.pawelkapula.com\/en\/press\/","title":{"rendered":"Press"},"content":{"rendered":"<style>#kt-layout-id_606b9a-44 > .kt-row-column-wrap{align-content:start;}:where(#kt-layout-id_606b9a-44 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}#kt-layout-id_606b9a-44 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var( --global-kb-row-default-top, 25px );padding-bottom:var( --global-kb-row-default-bottom, 25px );padding-top:15%;padding-bottom:15%;grid-template-columns:minmax(0, 1fr);}#kt-layout-id_606b9a-44{background-image:url('https:\/\/www.pawelkapula.com\/wp-content\/uploads\/2023\/01\/PRESS.jpg');background-size:cover;background-position:51% 25%;background-attachment:scroll;background-repeat:no-repeat;}#kt-layout-id_606b9a-44 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){#kt-layout-id_606b9a-44 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){#kt-layout-id_606b9a-44 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style>\n<div class=\"wp-block-kadence-rowlayout alignfull\"><div id=\"kt-layout-id_606b9a-44\" class=\"kt-row-layout-inner kt-row-has-bg kt-layout-id_606b9a-44\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-gutter-default kt-v-gutter-default kt-row-valign-top kt-row-layout-equal kt-tab-layout-inherit kt-m-colapse-left-to-right kt-mobile-layout-row\"><style>.kadence-column_f2d070-47 > .kt-inside-inner-col{border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;}.kadence-column_f2d070-47 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_f2d070-47 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_f2d070-47 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_f2d070-47 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_f2d070-47{position:relative;}@media all and (max-width: 1024px){.kadence-column_f2d070-47 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_f2d070-47 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column inner-column-1 kadence-column_f2d070-47\"><div class=\"kt-inside-inner-col\"><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<h1 class=\"has-text-align-center wp-block-heading\">PRESS<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe young Polish guest conductor Pawe\u0142 Kapu\u0142a is particularly convincing (\u2026) He seems to carry the music with his movements, never letting the tension drop for a&nbsp;moment, always pushing it forward and also keeping an eye on the long line. This is absolutely fascinating to experience, and one has the feeling of having encountered a&nbsp;genuinely great talent. (\u2026) This impression is further reinforced near the end of the concert by Kapu\u0142a\u2019s conducting of Franz Schubert\u2019s 5th Symphony.<br>Here, too, every phrase is charged with musical energy.\u201d<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>Jesko Schulze-Reimpell, Donaukurier, 2022<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eThe concert was opened with the \u201eEgmont Overture\u201d by Beethoven. Perfectly prepared culminations made stunning impressions, delighted listeners with intensity and projected the fullness of the orchestra\u2019s sound. Pawe\u0142 Kapu\u0142a\u2019s interpretation pictured the extraordinary wealth of moods and musical themes (\u2026)&nbsp;Sibelius\u2019 \u201eSymphony no. 1\u201d was marvellously measured and consistent. Pawe\u0142 Kapu\u0142a led the orchestra in a surefire but effortless manner and it allowed the orchestra to sound like a single organism consistently implementing the conductor\u2019s rendition. The broadly-phrased playing filled the audience with the reverie that no one dared to disturb with loud applause, letting the silence to continue after the last notes had been played\u201d.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>Barbara \u017burakowska, Ruch Muzyczny, 2022<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTo a career that undoubtedly lies before him, Pawe\u0142 Kapu\u0142a owes above all his musical sensibility, natural charisma and diligence. What drew my attention was his contact with the orchestra, the way he looked out for every phrase but also the freedom he was offering the musicians. Pawe\u0142 Kapu\u0142a has another very important quality \u2013 the sense of musical time and breaths. That\u2019s why his rendition was natural and interesting.\u201d<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>Anna Wo\u017aniakowska, Polska Muza 2019<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTwo concerts led by Pawe\u0142 Kapu\u0142a, a 25-year-old conductor, remain in the spotlight. His rendition in particular of the&nbsp; . . . Requiem by Maurice Durufl\u00e9 highlighted his musical sensitivity and ability to lead a full-sized orchestra.\u201d<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>Jacek Marczy\u0144ski, Rzeczpospolita 2017<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cBrilliant and young \u2013&nbsp; although already experienced \u2013 the conductor led the premiere of the Double Concerto for Cello and Piano by Marta Ptaszy\u0144ska and symphonic works by Weinberg and Dvo\u0159\u00e1k. Pawe\u0142 Kapu\u0142a, in the manner of a sculptor brought out the hidden solo parts of woodwinds and brass, underlined the complexity of rhythms, and shaped the harmonies like sculptures.\u201d<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>Karolina D\u0105bek, Ruch Muzyczny 2019<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PRESS \u201cThe young Polish guest conductor Pawe\u0142 Kapu\u0142a is particularly convincing (\u2026) He seems to carry the music with his movements, never letting the tension drop for a&nbsp;moment, always pushing it forward and also keeping an eye on the long line. This is absolutely fascinating to experience, and one has the feeling of having encountered&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[],"_seopress_pro_schemas_manual":[],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"hide","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"hide","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-841","page","type-page","status-publish","hentry"],"taxonomy_info":[],"featured_image_src_large":false,"author_info":{"display_name":"trejka","author_link":"https:\/\/www.pawelkapula.com\/en\/author\/trejka\/"},"comment_info":0,"_links":{"self":[{"href":"https:\/\/www.pawelkapula.com\/en\/wp-json\/wp\/v2\/pages\/841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pawelkapula.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pawelkapula.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pawelkapula.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pawelkapula.com\/en\/wp-json\/wp\/v2\/comments?post=841"}],"version-history":[{"count":0,"href":"https:\/\/www.pawelkapula.com\/en\/wp-json\/wp\/v2\/pages\/841\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.pawelkapula.com\/en\/wp-json\/wp\/v2\/media?parent=841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}